Suzanne Buchan

Editorial
Animation 2008 3: 227-230. [PDF] [Request Permission]  

Van Norris

`Yeah Looks Like It N'All . . .': The `Live Action' Universe and Abridged Figurative Design and Computer Animation within Modern Toss
Animation 2008 3: 231-249. [Abstract] [PDF] [References] [Request Permission]  

Vivian Sobchack

The Line and the Animorph or `Travel Is More than Just A to B'
Animation 2008 3: 251-265. [Abstract] [PDF] [References] [Request Permission]  

Mark Bartlett

The Politics of Media in Stan Vanderbeek's Poemfields
Animation 2008 3: 266-287. [Abstract] [PDF] [References] [Request Permission]  

Gregory Barsamian

Extracinematic Animation: Gregory Barsamian in Conversation with Suzanne Buchan
Animation 2008 3: 288-305. [Abstract] [PDF] [References] [Request Permission]  

Janet Wasko

Review: Michael Barrier, The Animated Man: A Life of Walt Disney. University of California Press, 2007
Animation 2008 3: 306-309. [PDF] [Request Permission]  

Victoria Meng

Review: Chris Gehman and Steve Reinke (eds), The Sharpest Point: Animation at the End of Cinema. Toronto: YYZ Books/Ottawa International Animation Festival, 2005. 288 pp. ISBN: 0—920397—32—8 CAD $24.95, USD $20.95, EU 17.95
Animation 2008 3: 310-312. [PDF] [Request Permission]  

Esther Leslie

Review: Scott Lash and Celia Lury, Global Culture Industry: The Mediation of Things. Cambridge: Polity, 2007. 250 pp. ISBN: 9—780745—62483—9
Animation 2008 3: 313-315. [PDF] [Request Permission]  

Barnaby Dicker

Review: `William Kentridge: Journey to the Moon/7 Fragments for Georges Méliès/Day for Night'. Hamburger Bahnhof — Museum Für Gegenwart. Berlin, 7 February — 6 May 2007. Curated by Melanie Franke and Joachim Jäger. All films: 2003, black and white, 16mm and 35mm transferred to DVD and `looped', edited by Catherine Meyburgh; acquisitions of Nationalgalerie, Sammlung Marx (Marx Collection)
Animation 2008 3: 316-320. [PDF] [References] [Request Permission]  

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