Suzanne Buchan

Editorial
Animation 2007 2: 219-224. [PDF] [References]  

Mike Jones

Vanishing Point: Spatial Composition and the Virtual Camera
Animation 2007 2: 225-243. [Abstract] [PDF] [References]  

J.P. Telotte

The Changing Space of Animation: Disney's Hybrid Films of the 1940s
Animation 2007 2: 245-258. [Abstract] [PDF] [References]  

George Griffin

Concrete Animation
Animation 2007 2: 259-274. [Abstract] [PDF] [References]  

Sean Cubitt

review essay: The Cinema of Attractions: Wanda Strauven (ed.), The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press, 2006. 460 pp. ISBN 978 90 5356 944 3
Animation 2007 2: 275-286. [PDF] [References]  

David Surman

review essay: British Game Studies? An Extended Review of Two New Publications: Jon Dovey and Helen W. Kennedy, Game Cultures: Computer Games as New Media. Maidenhead: Open University Press, 2006. 171 pp. ISBN 0—355—21357—X Geoff King and Tanya Krzywinska, Tomb Raiders and Space Invaders: Videogame Forms and Contexts. London: I.B. Taurus, 2006. 264 pp. ISBN 1—85043—814—5
Animation 2007 2: 287-296. [PDF] [References]  

Cinzia Cremona

Review: Digital Aesthetic 2 conference and exhibition, University of Central Lancashire, Preston, 16—17 March 2007
Animation 2007 2: 297-300. [PDF]  

Timo Linsenmaier

Review: David MacFadyen, Yellow Crocodiles and Blue Oranges: Russian Animated Film Since World War Two. Montréal: McGill-Queen's University Press, 2005. 256 pp. ISBN: 0—7735—2871—7
Animation 2007 2: 301-304. [PDF] [References]  

Caroline Ruddell

Review: Pervasive Animation Symposium, Tate Modern, London, 2—4 March 2007
Animation 2007 2: 304-309. [PDF] [References]  

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