Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Animation
This Article
Right arrow Abstract Freely available
Right arrow Free Full Text (Free PDF) Free
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Kim, J.-Y.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Critique of the New Historical Landscape of South Korean Animation

Joon-Yang Kim

Korean Academy of Film Arts, Kaywon School of Art and Design, Chung-Ang University; Hwagok Officetel #304, 46–208, Hwagok-dong, Gangseo-gu, Seoul 157–019, Republic of Korea. joonyangkim{at}yahoo.co.kr

This article introduces and critically engages with the animated films produced in the geopolitical reality of South Korea from the colonial period under Japanese occupation to the present, and the animation-related phenomena they caused. In the past, studies of South Korean animation have tended to describe it merely in terms of a production factory on the international scene of animation. However, the history of South Korean animation, many parts of which have been forgotten or not recorded, is as extensive as that of South Korea itself. In exploring the historical and political contexts of South Korean animation in chronological order, the aim is not to present a grand narrative of national cinema. Rather, the article hopes to shed some light on the complex web of animation production, aesthetic expression and South Korean ideologies and political situations.

Key Words: animation • colonization • cultural industrialism • independent animated filmmaking • Korean War • military government • Minjung Yesul • national cinema • Pacific War • subcontracted production

References

  • Barthes, Roland (1997) Hyocho-no Teikoku (Empire of Signs), trans. Sou Sakon. Tokyo: Chikuma Shobo .
  • Bendazzi, Giannalberto (1999) Cartoons: One Hundred Years of Cinema Animation. Bloomington: Indiana University Press .
  • Berry, Chris (2000) ‘If China Can Say No, Can China Make Movies?’, in Rey Chow (ed.) Modern Chinese Literary and Cultural Studies in the Age of Theory: Reimagining a Field. Durham, NC: Duke University Press .
  • Collins, Maynard (1990) ‘The Universe of Norman McLaren’, The World of Norman McLaren (booklet to video, Pioneer LDC): 2–4.
  • Deleuze, Gilles (2003) Francis Bacon: The Logic of Sensation, trans. Daniel W. Smith. Minneapolis: University of Minnesota Press .
  • Hardt, Michael and Negri, Antonio (2001) Jeguk (Empire), trans. Soo-Jong Yun. Seoul: Ehak .
  • Heo, In-Wook (2002) Hanguk Animation Yeonghwasa (History of Korean Animated Film). Seoul: Shinhan Media .
  • Karatani, Kojin (1997) Ilbon Keundae Munhag-ui Giwoen (Origins of Modern Japanese Literature), trans. Yoo-Ha Park. Seoul: Minumsa .
  • Kim, Nam-Ju (2004) Na-wa Hamke Modun Norae-ga Sarajindamyeon (If All Poetry Were Gone with Me). Seoul: Changjak-kwa Bipyeongsa .
  • Komatsuzawa, Hajime (2000) ‘Mochinaga Tadahito-no Sokuseki’ (Mochinaga Tadahito's Achievements) , Animail Rekishibukaiban (Animail, Journal of History Department) 2: 1–104 .
  • Maltin, Leonard (1987) Of Mice and Magic. New York: Plume/Penguin .
  • Nowell-Smith, Geoffrey (ed.) (1999) Oxford History of World Cinema. Oxford: Oxford University Press .
  • Shimizu, Masao (2001) Ilbon Manhwa-ui Yeoksa (History of Manga), trans. Gwang-Seok Kim. Seoul: Shinhan Media .
  • Stephenson, Ralph and Debrix, J.R. (1994) Yesul-loseoui Yeonghwa (The Cinema as Art), trans. Do-Ik Song. Seoul: Yeolhwadang .
  • Yamaguchi, Katsunori and Watanabe, Yasushi (1977) Nippon Animation Eigasha (The History of Japanese Animated Film). Osaka: Yubunsha .

Animation, Vol. 1, No. 1, 61-81 (2006)
DOI: 10.1177/17468477065065842


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?



This Article
Right arrow Abstract Freely available
Right arrow Free Full Text (Free PDF) Free
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Kim, J.-Y.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?